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| Scope: 國朝畫徵錄 |
| Condition : References 「康熙」 |
| Total 1 |
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5  | 國朝畫征錄》：余友秀水彌伽居士所作也。初餘與居士交不以畫，亦不知其善畫，餘於六法固茫然也。及餘從妹倩湯子南溪，餘從姪潞，相率問業於居士，始知其善畫且佳矣，然究不知其所以佳也。見居士畫，若讀逍遙遊，祇見海大魚而已。偶與居士共論史、漢，乃恍然於畫。夫龍門之紀巨鹿，若哄聲出紙上會鴻門，色色在目。又若信陵之候夷門，慶卿之刺祖龍，與夫蘭台傳博，陸率群臣於太后前奏昌邑，無異懸圖而觀，聳神怵目。夫然後恍然於居士之畫果佳矣。即舉似於居士居士笑日有是哉！既而讀其所著畫征錄，其論宗法淵源，造詣深淺，皆確然有據，而評騭不肯輕下一字，非深於是者能乎？至若因人以及畫，或因畫以及人，另具奧旨，微意有遺音矣，蓋深有得於史也。因臆其畫，氣韻不侔耳。然餘於六法，固茫然究，只見海大魚而已。居士與餘交且十年，江山遠隔二千里，盍簪為難，因與南溪共校而梓之，以慰他年雞鳴風雨之思焉。居士名庚，原名燾，字溥三，既改今名，易浦山為號，而字曰公之千，又號瓜田逸史，又號白苧村桑者近，自號彌伽居士。居士幼孤。家酷貧。太夫人節母金鍼黹自活，撫以成立。國家已建坊表，餘有張賢母苦節記。雍正十三年，居士以餘再從侄湖北學使者楙原薦應鴻博，詔今年五十有五與餘同康熙乙丑歲生，而月後餘有六也。乾隆四年，歲在屠維，協洽且月。睢陽濯錦池邊跛者，蔣泰敘於雲期書屋。 |
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